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Membership August 11, 2025 9 min read

Every Play Should Pay: Why Nigerian Artists Need Collective Management

Every time your music is played on radio, streamed online, performed at a venue, or used in a commercial, you're owed money. Collective management is the only scalable way to ensure you actually receive it.

MCSN Official

The Revenue Nigerian Musicians Are Missing

Nigeria's music industry generates billions of naira annually through radio airplay, streaming platforms, live events, TV broadcasts, and commercial use. Yet the vast majority of musicians never see a significant portion of the revenue their music creates.

The problem isn't a lack of talent or audience. It's a collection problem. Without a collective management organization (CMO) working on your behalf, royalties from thousands of uses of your music across dozens of platforms and venues simply go uncollected.

Every radio station that plays your song, every DJ who spins your track at a club, every restaurant that uses your music as background ambience, and every streaming platform that delivers your song to listeners owes you royalties. The question is: who is collecting them for you?

The Five Types of Royalties You Should Know

Understanding the different royalty streams is the first step to ensuring you're being paid for every use of your music:

Public Performance Royalties

Generated when your music is played publicly: on radio, at concerts, in clubs, restaurants, hotels, shopping malls, and at events. These are among the most significant revenue streams for Nigerian artists and are collected through blanket licenses issued to music users.

Mechanical Royalties

Earned whenever your composition is reproduced: pressed onto CDs, made available for download, or streamed on demand. Each reproduction triggers a mechanical royalty payment to the songwriters and publishers of the composition.

Digital Streaming Royalties

Generated from platforms like Spotify, Apple Music, Boomplay, Audiomack, and YouTube Music. These include both the composition royalty (for songwriters) and the sound recording royalty (for labels/master owners), and they accumulate with every stream.

Neighbouring Rights Royalties

Paid to performers and sound recording owners when a recorded performance is broadcast or communicated to the public. If you sang or played on a track, you have neighbouring rights separate from the songwriting copyright.

Synchronization Royalties

Earned when your music is synced to visual media: films, TV shows, advertisements, video games, and online content. Sync deals can be among the most lucrative income sources, but they require clear ownership documentation.

Why Individual Collection Fails

Some artists believe they can track and collect royalties on their own. In reality, individual collection is virtually impossible at scale. Here's why:

  • Geographic Scale: Nigeria has 36 states and the FCT, each with thousands of businesses using music daily. No individual can monitor radio stations, clubs, hotels, and event venues across the entire country.
  • Platform Complexity: Your music may be on Spotify, Apple Music, Boomplay, Audiomack, YouTube, TikTok, and dozens of other platforms simultaneously. Each has different royalty structures and payment schedules.
  • Licensing Expertise:Negotiating blanket licenses with broadcasters, venues, and digital platforms requires legal knowledge, industry relationships, and institutional weight that individual artists simply don't have.
  • International Reach: When your music is played in Ghana, South Africa, the UK, or the US, foreign CMOs collect those royalties and remit them through reciprocal agreements with your home CMO. Without CMO membership, that international money is lost.
  • Administrative Burden: Tracking usage, issuing invoices, following up on payments, and maintaining records is a full-time operation that diverts time and energy from creating music.

What MCSN Does for You

As Nigeria's approved collective management organization, MCSN performs four essential functions on behalf of its members:

Licensing Music Users

MCSN issues blanket and specific licenses to businesses, broadcasters, venues, and digital platforms that use music, ensuring they have legal authorization and that creators are compensated.

Collecting Royalties

MCSN systematically collects license fees and royalty payments from music users across Nigeria, pooling these funds for distribution to the rightful owners.

Distributing to Members

Collected royalties are distributed to members based on documented usage data, registered works, and the ownership percentages recorded in each member's profile.

Advocating for Creators

MCSN represents the collective interests of Nigerian music creators in policy discussions, legislative processes, and industry negotiations to strengthen copyright protection.

Common Misconceptions

Several myths prevent Nigerian artists from taking advantage of collective management. Let's address the most common ones:

"Royalties only matter when you're famous"
Royalties matter at every career stage. Even emerging artists earn from radio play, streaming, and public performances. Small amounts compound over time and across multiple works.
"Live performance fees cover everything"
Performance fees are one-time payments for a specific event. Royalties represent passive, recurring income from every use of your recorded music, long after the show is over.
"I can track my own plays and collect myself"
Individual tracking cannot match the infrastructure, legal authority, and international network of a CMO. MCSN has reciprocal agreements with over 100 PROs worldwide, covering territories you could never reach alone.

The Bottom Line

Every play of your music should generate income. Collective management through MCSN is the proven, scalable way to ensure that happens. Join MCSN, register your works, and let the system work for you while you focus on what you do best: creating music.